Asahikawa sits in the coldest basin of any major Japanese city—mornings of minus twenty are ordinary here—and every February it converts that fact into a festival. On the banks of the Ishikari River beside the Asahibashi bridge, citizens and soldiers of the local Self-Defense Force spend weeks building a snow sculpture of castle scale; one year's version entered the Guinness Book as the largest snow structure ever made. The tradition began in 1960, a civic decision to make the long winter mean something, and the sculptures have grown ever since. The second venue runs through the city center. Along the pedestrian mall of Kaimono Koen, the World Ice Sculpture Competition lines the street with carvings cut by chainsaw and chisel—transparent, temporary, lit from within at night. The cold that makes Asahikawa hard to live in is precisely what makes ice this clear possible. The festival runs roughly the same week as Sapporo's famous snow festival, an hour and a half away, and the comparison is the point: Asahikawa is free, closer to the sculptures, and far less crowded. The great snow stage hosts performances, and fireworks rise over the frozen riverbed after dark. JR Asahikawa Station is about twenty minutes on foot from the river site, with shuttle buses running during the festival, and many visitors pair the trip with the famous winter animals of Asahiyama Zoo. Afterward, the correct conclusion is a bowl of Asahikawa ramen—soy-based, lard-sealed against the cold—eaten while your glasses fog.